Brahms - Ein Deutsches Requiem, Op. 45: II. Denn alles Fleisch, es ist wie Gras (Part I)
There is something deeply unsettling and restless about this performance, I can't put my finger on it though. It's lyrical (just listen to that soft, yet snappy brass!), transparent but there's something very evanescent and fragile about Kegel's take on the work, I find it deeply moving. Kegel's...
Brahms - Ein Deutsches Requiem, Op. 45: VII. Selig sind die Toten, die in dem Herrn sterben (Part I)
There is something deeply unsettling and restless about this performance, I can't put my finger on it though. It's lyrical (just listen to that soft, yet snappy brass!), transparent but there's something very evanescent and fragile about Kegel's take on the work, I find it deeply moving. Kegel's...
Deutsche Küche
Aus Dorfers Donnerstalk.
willrein- Length: 2:53
- كلمات ملحقة: dorfers donnerstalk kochen deutsch ss grissemann sterman
-
Brahms - Ein Deutsches Requiem, Op. 45: I. Selig sind, die da Leid tragen (Part I)
There is something deeply unsettling and restless about this performance, I can't put my finger on it though. It's lyrical (just listen to that soft, yet snappy brass!), transparent but there's something very evanescent and fragile about Kegel's take on the work, I find it deeply moving. Kegel's...
Gergiev conducting RPHO: Brahms "EIN DEUTSCHES REQUIEM" part 4
Gergiev's farewell concert as chief conductor of the Rotterdam Philharmonic Orchestra. With Solveig Kringelborn (soprano), Mariusz Kwiecien (baritone)and Swedish Radio Choir. Part 4: "Wie lieblich sind deine Wohnungen"
Brahms - Ein Deutsches Requiem, Op. 45: VI. Denn wir haben hier keine bleibende Stadt (Part I)
There is something deeply unsettling and restless about this performance, I can't put my finger on it though. It's lyrical (just listen to that soft, yet snappy brass!), transparent but there's something very evanescent and fragile about Kegel's take on the work, I find it deeply moving. Kegel's...
Kickers Opening German
Kickers!!!
- ultimat4gohan
- Length: 1:28
- كلمات ملحقة: Kickers OP Opening Deutsch ultimat4gohan
-
Stermann & Grissemann - Das deutsche Telefon-Quiz
Stermann & Grissemann waren für den ORF auf der Suche nach einem neuen Fernsehformat... Für mehr Stermann & Grissemann: www.youtube.com
- kubisforce
- Length: 2:14
- كلمات ملحقة: Stermann Grissemann Dorfers Donnerstalk ORF Deutsch Telefonquiz
-
Deutsches Seemannslied
Deutsches Seemannslied We call your wolves and call your spear we call all twelve down from heaven to us here above all we call you, now comes the wild hunt, now let the horn resound, no lament for the dead. the enemey has already fallen before morning breaks. the prey has no name, the enemy no...
Brahms - Ein Deutsches Requiem, Op. 45: VII. Selig sind die Toten, die in dem Herrn sterben(Part II)
There is something deeply unsettling and restless about this performance, I can't put my finger on it though. It's lyrical (just listen to that soft, yet snappy brass!), transparent but there's something very evanescent and fragile about Kegel's take on the work, I find it deeply moving. Kegel's...
Brahms - Ein Deutsches Requiem, Op. 45: I. Selig sind, die da Leid tragen (Part II)
There is something deeply unsettling and restless about this performance, I can't put my finger on it though. It's lyrical (just listen to that soft, yet snappy brass!), transparent but there's something very evanescent and fragile about Kegel's take on the work, I find it deeply moving. Kegel's...
Brahms - Ein Deutsches Requiem, Op. 45: II. Denn alles Fleisch, es ist wie Gras (Part II)
There is something deeply unsettling and restless about this performance, I can't put my finger on it though. It's lyrical (just listen to that soft, yet snappy brass!), transparent but there's something very evanescent and fragile about Kegel's take on the work, I find it deeply moving. Kegel's...
Brahms - Ein Deutsches Requiem, Op. 45: IV. Wie lieblich sind Deine Wohnungen
There is something deeply unsettling and restless about this performance, I can't put my finger on it though. It's lyrical (just listen to that soft, yet snappy brass!), transparent but there's something very evanescent and fragile about Kegel's take on the work, I find it deeply moving. Kegel's...
..." onmouseout="mouseOutImage(this, '4', 'FFFFFF')" onmouseover="mousOverImage(this,'lOu6l7PzYes',1, '4','DD424E')" />
Brahms - Ein...
..." onmouseout="mouseOutImage(this, '4', 'FFFFFF')" onmouseover="mousOverImage(this,'xi7NcF2cedA',1, '4','DD424E')" />
Brahms - Ein...
..." onmouseout="mouseOutImage(this, '4', 'FFFFFF')" onmouseover="mousOverImage(this,'RXHxKTtCMfg',1, '4','DD424E')" />
Brahms - Ein...
..." onmouseout="mouseOutImage(this, '4', 'FFFFFF')" onmouseover="mousOverImage(this,'u2z79sA6VrU',1, '4','DD424E')" />
Brahms - Ein...
..." onmouseout="mouseOutImage(this, '4', 'FFFFFF')" onmouseover="mousOverImage(this,'Q94femJO_rk',1, '4','DD424E')" />
Brahms - Ein...
..." onmouseout="mouseOutImage(this, '4', 'FFFFFF')" onmouseover="mousOverImage(this,'LDQZydqTU3o',1, '4','DD424E')" />
Brahms - Ein...
Page: 1 of 1128